Freude was originally developed for the album artwork of the Austrian musician Tombeck. The word Freude means “joy” in German. Supplemented by the addition of lowercase letters and refined by various OpenType features, the Freude typeface is charmingly playful. Created for everything fun, its design is relaxed and amiable – perfect for mama’s boys, chocolate freaks and pranksters alike. Thanks to its balanced letterforms, Freude is equally entertaining in both large and small sizes.
Get it here: http://myfonts.us/TfE9Bu
Lean-O FY, an original Slab-serif with asymmetrical and slightly leaned serifs. This unconventional typeface is developed in 5 styles. While the extreme weights like Thin and Black are perfectly adapted for display use, the regular weight presents a good legibility in text sizes.
“Delicatta” is a beautiful and expressive script font by dooType. You can use it in many areas such as packaging, invitations, magazines and posters.
This version contains Opentype Features including alternates and ligatures that you can use as needed. Check in gallery for some images.
Buy it from $20 (50% off) here:http://myfonts.us/cI7VF7
“The Geometry of Type" explores 100 traditional and modern typefaces in loving detail, with a full spread devoted to each entry. Characters from each typeface are enlarged and annotated to reveal key features, anatomical details, and the finer, often-overlooked elements of type design, which shows how these attributes affect mood and readability. Sidebar information lists the designer and foundry, the year of release and the different weights and styles available, while feature boxes explain the origins and best uses for each typeface, such as whether it is suitable for running text or as a display font for headlines. To help the reader spot each typeface in the wider world, the full character set is shown, and the best letters for identification are highlighted. This beautiful and highly practical work of reference for font spotters, designers and users is a close-up celebration of typefaces and great type design.
There are many things I like about Stephen Coles’ recent book; the bright, clean design and the accessible structure allowing you to dip in and out; but most of all, it’s the lack of fluff or filler. The content has been carefully honed to focus on the important details, which is in fact what the book is all about: the details of each typeface.
In highlighting and comparing the features that give each typeface its character, anyone exploring this subject can begin to make informed choices between similar typeface options.
The pithy descriptions describe each typeface’s origin and advise what makes each appropriate for certain scenarios and where it might fail. These are occasionally laced with a subtle humour that keeps the tone of the book warm.
The great balance of written and visual explanation means the book works well as a quick reference but has a seductive way of drawing you in to read more and examine further.
Book Review by typeworship